The six-word novel meme has been around for a good long time. Every now and then, to clear my head, I give myself six minutes or so to come up with as many six-word novels as I can. It’s a fun, easy, low-pressure way to get started writing for the day. Here’s what I came up with the last time I tried (according to my notepad, I took a whopping 11 minutes):

Got hit. Got famous. Got revenge.

All I learned didn’t help me.

Made four promises. Kept only three.

Mother, wife, daughter, mistress, second wife.

I think I saw Mom’s killer.

Dog person and cat person disagree.

He knew the secret and told.

He did too much and paid.

Enjoyed the view. The view changed.

Hated the whale. Whale hated him.

He wanted to show his father.

“I don’t have enough.” He did.

It had to come out somehow.

Telling him stories kept her alive.

He wanted to tell her everything.

She kissed him. It didn’t help.

If only my much-longer novel-in-progress was anywhere near as worthwhile as a couple of these…

Where you been?
Canada, mostly. The five of us and a friend of Eli’s packed into the van: half a week in Montreal (good, and I was not responsible for this), half a week in Ottawa (great), and a one-night stopover in Burlington, Vt., on the way back. As of Tuesday, I’m three-quarters of the way to Inbox Zero. I need to learn French for the next trip to the Great White North.

Was everything the same when you returned?
Mostly. Manny is gone, and so is Scrabulous, but it looks as if the latter has returned in not-too-diminished form. I missed a particularly weird Carl Icahn hissy fit, and I’ll have to check in with Paczkowski for guidance on how to interpret that.

What did you learn about your newspaper-reading habits while you were gone?
As I’ve noted previously, I’m done with print newspapers. For the first half of the vacation, I did a reasonably good job of staying off the laptop (and we were in another country, so I didn’t want to turn on the iPhone unless absolutely necessary). If I wanted to know what was going on in the world I had to read the print versions of the Times and Journal, both of which were available in hotel gift shops at imminent-apocalypse prices. I imagined that reading newspapers this way would feel like a luxury. Instead, compared to their younger online siblings, they felt out of date and, well, short. Aside from the immediacy you get from following news via the net, chances are you see that news as part of a larger river of information. It’s always coming at you. In comparison, reading the news in a newspaper feels limited, finite. It ends. News on the net never ends (for better or worse).

Is there anything better than watching your girls swim in a hotel pool?
Not much.

Also worth looking at was the National Gallery in Ottawa. We spent two hours there. I bet we could have gone at least two days without running out of surprises. I was particularly taken by William Kurelek’s “Arriving on the Manitoba Farm,” which looks dark and formless in this image, but reveals more and more layers of detail and meaning when you have the pleasure of standing in front of it.

When you stopped in Burlington, Vt., on the way back, did you see any newspaper headlines you’d expect to see only in Burlington, Vt.?
Yes.

What did you read?
Parts of Francine Prose’s Read Like a Writer (mostly zzz, but it did introduce me to this guy) and Hawthorne’s The Blithedale Romance, and (several times) my favorite Chekhov story, “The Lady with the Dog.”

And you read them all on your…
Kindle, right. It’s a usability nightmare and the selection of Amazon-blessed-and-DRMed books is insufficient and random, but I found it convenient and comfortable under all but the most low-light situations.

Did you write?
Yes, especially early in the week when I was still keeping that off-the-net promise. It’s amazing how less depressed you can be about the quality of something if you’re actually working on it. And maybe I should consider a new business model.

What was Jane’s most memorable quote during the week?
There were so many candidates, but I’m going with “I’m trying to save the tattoo.”

How’s the new job going?
So far it seems like a very good fit. I’ll have a full report at the end of The First 90 Days.

Weren’t you going to tell us the point of this blog?
Comments from Doug, Owen, and Andrea — and a gift from Brian — showed me the limits of my thinking from a few posts ago. And Jane has suggested that I write about what I think about: namely, media and technology. So, unless you’re reading this via a newsreader, you’ll see that the blog now has a new tagline: “media, technology, and the rest of it.” I’ve got some ideas for making this more than a vanity blog; we’ll see if I can live up to them. Oh, and to warn you, I’m going to pay more attention to Twitter.

What’s next?
Gotta see how the WordPress app for the iPhone works.

One of the unexpected side effects of moving this blog to WordPress was easy access to real-time statistics. I could tell, pretty quickly, whether a particular post or type of post was getting picked up or ignored. It’s seductive stuff — as anyone who has followed his or her book- or record-selling stats on Amazon knows so well. The bad part, aside from the time-wasting, is that the easy access to stats makes a blogger think too much about audience before posting. Blogs, I believe, are supposed to be about unvetted expression, capturing a moment, embracing the amateur and enthusiast in you even if you’re a professional writer in your real life. I intended to title one of my previous blogs “Quality over Quantity,” to celebrate that, but as old-timers know, I committed a typo and wound up titling that blog “Quantity over Quantity,” an unintentional joke too amusing to fix.

Now I’m not so sure. It’s 2008 and almost everyone has a blog (or has at least tried):

Is blogging getting old? Over the past two years, Twitter and Facebook status messages have emerged as media for distributing thoughts deemed too evanescent for a blog post. And now there are so many such services that aggregators such as FriendFeed and Ping.fm have emerged. More are coming. Nothing is so mundane that it can’t be shared immediately via many media. As Philip Greenspun’s blog puts it in its tagline: “A posting every day; an interesting idea every three month.”

I am a bit too enamored with my own ideas, as are many of us. As Jane said to me once and probably thought many more times, “Tell it to your blog.” The blogosphere is a wonderful place, but it’s one by definition full of noise. Although I value that noise and revel in it sometimes, I think too many of my posts are mostly noise, little signal.

Sometimes statistics reveal a truth. The two posts here that received, respectively, the most traffic and the most pointers in recent weeks were Barack Obama, Rolling Stone, and the secret of one great magazine cover and Neil Young and Crazy Horse: Twin “Hurricane”s in Rio. They’re two of the more substantive posts here from the past month. Neither post will change the world and both of ‘em featured pointers to more interesting content elsewhere. But they both sought to do a bit more than point to something and say, “Cool.” So, as this blog trudges forward, I’ll stop posting just to post. If I have something interesting to offer, I’ll try to communicate it in a substantial and entertaining way. If I don’t, I’ll try to shut up.

Just read her Harvard commencement speech and some commentary on it. Regular readers here know I’m interested in mistakes and failure. Part of Rowling’s section in her speech on what failure taught her struck me as worth remembering and passing along:

“Why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had already been realised, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life.”

Onward…

“Death is a bore. But life isn’t very interesting either. I must say I expected death to glimmer with meaning, but it doesn’t. It’s just there. I don’t feel particularly alone or condemned or unfairly treated, but I do think about suicide a lot because it is so boring to be ill, rather like being trapped in an Updike novel. I must say I despise living if it can’t be done on my terms.”

That’s a paragraph from page 152 in Harold Brodkey’s This Wild Darkness: The Story of My Death. My first reaction is: Wow, what a powerful paragraph. My second reaction is: He’s lying.

There’s a lot of lying in that thin book, in spite of its frequent emphasis on the truth, lying about his place in the world, lying about how angry he is, perhaps even lying about when he got the AIDS that killed him (Brodkey fell ill in 1993 and claimed not to have been exposed since 1977, a statistically unlikely scenario). But stop a moment and reread the paragraph up top. It’s pretty much everything you’d want from a writer: smart, funny, unexpected, full of — yes — life. But it wouldn’t be as powerful without it being a lie. Without lies, sometimes literature can’t get to the truth, I guess.

There’s Jane, the kids, the G-chord at the beginning of “Powderfinger,” and not much else. But I do want to acknowledge, on my blog, that I believe, deeply, in the serial comma.

“But it’s been a good week for us. I sold my novel, after a bidding war, for $11 million, and My Poet had a poem taken by a well-known literary journal, which gave form in the payment of an origami swan made out of her recycled submission.”

from Naheem Murr, “My Poet,” in the July/August issue of Poetry

Ask him or her. That’s the advice I picked up from an “Art of Fiction” interview with Israeli novelist David Grossman in Paris Review #182. Here’s the exchange:

Q: Do you have any strategies you employ when you get stuck?

A: Sometimes I write a letter to my protagonist, as if he were a real human being. I ask, What’s the difficulty? Why can’t you make it? What is preventing me from understanding you. It’s always helped.

And now, if you’ll excuse me, I need to write someone a letter.

Thought of the day

December 3, 2007

I hate all those there-are-two-different-kinds-of-people formulations, but today I’m thinking that, when it comes to novels, there are indeed two different kinds of people: those who want to write a novel and those who want to have written a novel. I hope I’m in the first camp, but in my self-questioning moments I fear I’m in the second. Back to work…