Jimmy Guterman's blog

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Archive for April 2016

Ladies and gentlemen, Lonnie Mack!

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The death of Lonnie Mack is going to get lost amidst the rightful sadness over Prince’s demise, but I want to share a few words urging you to replay Mack’s The Wham! of That Memphis Man in between “Kiss” and “When Doves Cry” today.

The first of the guitar-hero records (this is from 1964) is also one of the best. And for perhaps the last time, the singing on such a disc is worthy of the guitar histrionics. Lonnie Mack bent, stroked, and modified the sound of six strings in ways that baffled his contemporaries and served as a guide to future players. Eric Clapton’s later take on Bobby Bland’s “Farther on Down the Road” outright swipes the version of the standard which Clapton first heard on this album.

But Mack is more than just an axe murderer. His singing is sure, full of knowing nuance, and soulful—his screams transform “Why” from an above-par breakup ballad into a run of psychic terror—and his brash arrangements insure that Wham! remains a showcase for songs, not a platform for showing off. Although Mack is a fine writer, the accent here is on songs written by others. Chuck Berry’s “Memphis” (Mack’s first single and an instrumental chart smash) and Dale Hawkins’s “Suzie Q” aren’t radically reworked, but Mack imprints both numbers with enough spiraling, sputtering guitar to distinguish them from their original incarnations.

Mack envelops himself in the ballads; “Where There’s a Will There’s a Way” and the climactic “Why” demonstrate his measured, thoughtful vocal eruptions to best effect. Still, it is Mack’s guitar playing that made his career and remains his most enduring legacy. He played fast and he played lots of notes, yet on Wham! he never went on too long or ground his gears by squeezing too much into a break. Mack, who produced this album, has never been given credit for the dignified understatement he brought to his workouts. In the mid-eighties he was rediscovered, thanks to Stevie Ray Vaughan and the good folks at Alligator Records, and thanks to reissue specialists The Wham! of That Memphis Man started to get some of the attention it deserved. Give it some today.

Written by guterman

April 22, 2016 at 6:46 am

Posted in music

This Is What the End of The Boston Globe Looks Like

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The Boston Globe, founded in 1872, is no NewCo. It’s infuriating, provincial … and absolutely essential to my community. Although I read it almost exclusively online these days, I do enjoy that virtual thud announcing there’s a new Globe available to me every morning, on my screen if not at the end of my driveway.
The Globe has an inventive feature today, a mock front page imagining what life under a Trump administration might look like. It’s reasonably well done from an editorial standpoint and there are plenty of points to argue over, but I believe that the way the Globe is distributing it shows why the publication is even more doomed than I thought (and that feeling of doom goes up all the way to the newspaper’s current editor).
This smart, potentially shareable, maybe even viral feature was published and it being distributed in a quarter-century-old print-centric manner. Here’s what the front page of the Globe looks like online on a phone, where more people every day get their news.
There’s no hint of the conceptual coup in today’s issue. When you finally dig around and find it, it looks like this:
It’s stuffed under a link to a different story, a blurry image that leads to a PDF, which is only marginally more readable. The newspaper had a great idea today, an idea that would get it readers, some of whom will believe this material is worth paying for, and it executed and distributed it in a clueless manner.
As its remaining readers age, the Globe does not have a future as a printed newspaper. I hope it has a future as a platform-agnostic news operation. The job it does is too important for it to go away without damaging the community. What’s going to take its place? Silence and ignorance. No one wants that, except maybe the people in power who the Globe has a rich history of unmasking. Please do better. We need you!

Written by guterman

April 10, 2016 at 5:32 pm

Support Ivan Julian

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I found out today via Richard Barone and Sally Timms that Ivan Julian, founding member of the Voidoids, contributor to both The Clash’s original Sandinista! and my Sandinista! Project, is being treated for cancer and has pretty much the health insurance you’d expect. There are two benefits shows scheduled in New York with the usual downtown luminaries (one’s not sold out yet). If you’re not in NYC, you can still donate. I just did; you should, too.

Written by guterman

April 10, 2016 at 5:11 pm

Posted in music, PSA

Buck Owens on Merle Haggard

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Many years ago, when I was interviewing Buck Owens for a project, I asked him a question I asked every country great I spoke to back then: “Hank or Lefty?” Without hesitation, in a stronger voice than he’d employed for the rest of our talk, he said, “Merle.”

Written by guterman

April 6, 2016 at 7:01 pm

Posted in music